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KAZUFUMI OFFICIAL WEBSITE | 3 October 2022

Leaving the City VI
530*455mm, 2022
acrylic on canvas

Fertile Shadows
1|2|3
4|5|6
227*158 mm, 2022
acrylic on canvas

The proud shine of crowns makes their people dance
with tremendous smiles;
Radiance achieved through slavery and colonialism
never fulfills the genuine aesthetics.

KAZUFUMI
2022

DAEGU ART FAIR 22
25-27 November 2022 | EXCO

KAZUFUMI will participate in the fair with Gallery Edel.

WORKS | BIOGRAPHY | MAIL

14 June 2022

Volatile Veneer
1|2|3
4|5|6
227*158 mm, 2022
acrylic on canvas

Leaving the City IV
530*455mm, 2022
acrylic on canvas

Leaving the City V
530*455mm, 2022
acrylic on canvas

Under the continuous white light,
spurious relief has stained crowds;
As mourners in grief gathered at night,
it began raining from black clouds.

KAZUFUMI
2022

Art Santa Fe
15-17 July, 2022 | Santa Fe Convention Center

KAZUFUMI will participate in the fair with Gallery Edel.

WORKS | BIOGRAPHY | MAIL

9 April 2022

[WAR CRIMINALS] GO STRAIGHT TO HELL — SERGIY KYSLYTSYA

HARMONICS 2022
727*606 mm, 2022
acrylic on canvas

The Squeaking Sun
727*606mm, 2022
acrylic on canvas

Entrenched
910*1167 mm, 2022
acrylic on canvas

With recollecting the good old shadows,
people build their sober inns once again;
Without any echo answering to my calls,
this vigorous river keeps flowing down.

KAZUFUMI
2022

ART BUSAN
13-15 May, 2022 |Bexco Busan Korea

KAZUFUMI will participate in the fair with Gallery Edel.

WORKS | BIOGRAPHY | MAIL

22 October 2021

Norms for Sentiments
1|2|3
4|5|6
7|8|9
227*158 mm, 2021
acrylic on canvas

Seeing a new day given in the sheer silence of dawn;
Another etude for utopia drawn with its rays and shadows;
Days passed away have calmly graven the norms for sentiments.

KAZUFUMI
2021

DAEGU ART FAIR 21
5-7 November 2021 | EXCO
KAZUFUMI will participate in the fair with Gallery Edel.

WORKS | BIOGRAPHY | MAIL

4 October 2021

Leaving the City III
530*455mm, 2021
acrylic on canvas

Zeitgeber #2
1|2
3|4
227*158 mm, 2021
acrylic on canvas

DAEGU ART FAIR 21
5-7 November 2021 | EXCO
KAZUFUMI will participate in the fair with Gallery Edel.

WORKS | BIOGRAPHY | MAIL

11 September 2021

Leaving the City I
530*455mm, 2021
acrylic on canvas

Leaving the City II
530*455mm, 2021
acrylic on canvas

Mäuseturm
1|2|3
4|5|6
227*158 mm, 2021
acrylic on canvas

Mäuseturm | the Mouse Tower

The old German tale Mäuseturm shows us mice could be wise enough to solve our problem;
Tokyo's silly mice keep devouring themselves without knowing what they should bite off.

KAZUFUMI
2021

Artexpo New York
28-31 October 2021 | Pier 36 NYC
KAZUFUMI will participate in the fair with Gallery Edel.

WORKS | BIOGRAPHY | MAIL

20 April 2021

alone among virtues
530*455mm, 2021
acrylic on canvas

Zeitgeber #1
1|2
3|4
227*158 mm, 2021
acrylic on canvas

Onkalostinato

The brains of false saviours melted down,
radiating their putrid smells of evil.
Decaying every aspect of humanity,
the drainage is cast over our sea of conscience.
Their sins might be hidden in the depth;
the contamination cannot be nulled.

|||
KAZUFUMI
2021

Sudden silence invites the three-finger rustling in.
Her saung gently sings weaving a gust for liberation.
Tears turn into fires lighting the land up once again.

|||

KAZUFUMI
2021

Busan Annual Market of Art 2021
8-11 April, 2021 | BEXCO Exhibition Center

KAZUFUMI will participate in the fair with Gallery Edel.

WORKS | BIOGRAPHY | MAIL

13 November 2020

Turning a Furrow #4
530*455mm, 2020
acrylic and mixed media on canvas

Onkalostinato #2
1|2|3
4|5|6
227*158 mm, 2020
acrylic on canvas

Putrid clans pleasantly spit at the others,
damaging any survived humanity;
the isolated crowds voluntarily put themselves
in the sea of dirty norms.
Colors cannot recall their original magnificence
unless our sanity realizes soberer dawns.

KAZUFUMI
2020

DAEGU ART FAIR | Nov 12-15
KAZUFUMI will participate in the fair with Gallery Edel.

WORKS | BIOGRAPHY | MAIL

13 October 2020

Turning a Furrow #2
530*455mm, 2020
acrylic on canvas

Turning a Furrow #3
530*455mm, 2020
acrylic & mixed media on wood

Onkalostinato #1
1|2|3
4|5|6
227*158 mm, 2020
acrylic on canvas

Stars lastingly shine; Earth sadly sobs.
Distilling fires of reason from bitter tears,
the history of conscience weaves herself as always.
Our march must go on with sophisticated perseverance
until a new dawn dispels the pervaded darkness.

KAZUFUMI
2020

ART BUSAN | November 5-8
BEXCO Exhibition Center 2, Busan
KAZUFUMI will participate in the fair with Gallery Edel.

WORKS | BIOGRAPHY | MAIL

24 September 2020

Turning a Furrow #1
530*455mm 2020, acrylic on canvas

Berths of the good have been contaminated with follies and injustice.
Enclaves compose novel anthems to retain their proud Gloria Patri.
Riding roughshod over the miserable has become far more common.
Neither have they given up the ship nor quit organizing dreamers’ choir.
Immunity against repetitive deceits has been nulling any rationale.
Embattled history navigates bravely renewed wisdom inside her womb.

Learning his wrinkles,
KAZUFUMI
2020

WORKS | BIOGRAPHY | MAIL

2 April, 2020

Marwarid
910*1,167mm, 2020
acrylic on canvas

Learning his Wrinkles #11 |#12
530*455mm, 2020
acrylic on canvas

Take the Root VI #1-#6
227*158 mm, 2020
acrylic on canvas
1|2|3
4|5|6

Rustling softly across the desert
notes of hope were suddenly halted.

Sheep reflected themselves on vacant smooth surfaces
only to confirm their helplessness
with hardly recollecting the history harmonious.

No artifice compensates the tears and blood of the good.
Funeral bells resounding through the earth;
all the gentle melodies now buried in the sand.

KAZUFUMI
2020

Exhibited at SCOPE NEW YORK
March 5-8, 2020 | Metropolitan Pavilion
125 West 18th Street, New York, NY 10011
Dealer: Gallery Edel

WORKS | BIOGRAPHY | MAIL

4 December, 2019

Learning his Wrinkles #9 |#10
530*455mm, acrylic on canvas, 2019

Take the Root V
227*158 mm, acrylic on canvas, 2019
1|2|3
4|5|6

Suffocating darkness reveals the unsavory reality of any false messiah.
Lawbreakers ascend the thrones only to ruin their eminence.
Levies on the miserable make streets more dismal.
Evil-eyed crowds sneer each other while the society turns antisocial.
Bells thus loudly resounding, sheep are still marching toward their abyss.

KAZUFUMI
2019

Exhibited at RED DOT MIAMI
4-8 December, 2019
Mana Wynwood, FL
Dealer: Gallery Edel

WORKS | BIOGRAPHY | MAIL

10 November 2019

Learning his Wrinkles #7 |#8
530*455mm, acrylic on wood panel[#7]| on canvas[#8], 2019

Take the Root IV
227*158 mm, acrylic on canvas, 2019
1|2|3
4|5|6

Numerous teardrops of distorted cities pour into subterranean streams.
Fragmented elegies of the miserable appositely phase our developing revolution.
Any passage contains some unstable half tones;
nevertheless they alone can define the most preferable resolution
—as if every turn of the seasons abruptly realized the fascinating harmonics.

KAZUFUMI
2019

Exhibited at Art San Diego
October 10-13, 2019
Booth 507, San Diego Convention Center
Dealer: Gallery Edel

WORKS | BIOGRAPHY | MAIL

26 September 2019

Learning his Wrinkles #5|#6
530*455mm, acrylic on canvas, 2019

Take the Root III
227*158 mm, acrylic on canvas, 2019
1|2|3
4|5|6

Exhibited at KIAF ART SEOUL 2019
Sept 26-29, 2019
COEX 1F, Hall A & B, Seoul
Dealer: Gallery Edel

***

I reconfirm the penetrative notes of dawn for the 74th August in the following:

Chapter II: Renunciation of War
Article 9
Aspiring sincerely to an international peace based on justice and order,
the Japanese people forever renounce war as a sovereign right of the nation
and the threat or use of force as means of settling international disputes.
In order to accomplish the aim of the preceding paragraph,
land, sea, and air forces, as well as other war potential, will never be maintained.
The right of belligerency of the state will not be recognized.

Japan's Constitution of 1946
1947-Present

***

Every September brings to my mind the despicable crime by Japanese after the Kanto earthquake:
Massacre of Koreans in 1923.

***

I deeply appreciate friends in South Korea
for the strong protest calls against the worst government of postwar Japan led by Abe,
a good-for-nothing, a shabby totalitarian, or a notorious liar
while media in Japan have been deteriorating into its disgusting flatterers.
Please let me stand by you.

KAZUFUMI
2019

WORKS | BIOGRAPHY | MAIL

18 July 2019

Learning his Wrinkles #3|#4
530*455mm, acrylic on canvas, 2019

Take the Root II
227*158 mm, acrylic on canvas, 2019
1|2|3
4|5|6

Evil creeds necessarily drown excellent sheep;
Iconic vanity despoils ivy leaves of their once hopeful greens.
Never knowing when the hell fire would calm,
Realm dwellers have still been cultivating uncharted terrains.
Empyrean quietly opens its covert door
bestowing another leaf of our harmonic atlas.

Exhibited at Art Santa Fe
July 18-21, 2019
Santa Fe Convention Center
Dealer: Gallery Edel

WORKS | BIOGRAPHY | MAIL

May 8, 2019

Learning his Wrinkles #1 | #2
530*455mm, acrylic on canvas, 2019

Take the Root
227*158 mm, acrylic on canvas, 2019
1|2|3
4|5|6

Brave aspects of our wisdom invigorate themselves;
Eliminating any false messiah time and again;
Refusing demagogy with the highest discretion;
Never buried in the noise of hostile attitudes.
Iconoclasm has reasonably been making its progress;
Empires would fall, only to confess their shabby origin.

with hope,
KAZUFUMI
2019

Exhibited at ART BUSAN
May 31- June 2, 2019
BEXCO South Korea
Dealer: Gallery Edel

WORKS | BIOGRAPHY | MAIL

March 27, 2019.

Luthier's Corner III
(of 4-piece set)
530*455mm, acrylic on canvas, 2019

Reminiscent Vein
#1-#9, 227*158 mm, acrylic on canvas
2019

1|2|3
4|5|6
7|8|9

Reminiscent Veins filled with indignation will anyhow build Victorious Resistance: Revolution.

Exhibited at
ART TAINAN, March 15-17, Taiwan
Artexpo New York, April 4-7, USA
BAMA , April 26-29, South Korea
Dealer: Gallery Edel