KAZUFUMI OFFICIAL WEBSITE | 22 November 2022












Leaving the City VI
530*455mm, 2022
acrylic on canvas













Fertile Shadows
1|2|3
4|5|6
7|8|9
227*158 mm, 2022
acrylic on canvas








The proud shine of crowns makes their people dance
with tremendous smiles;
Radiance achieved through slavery and colonialism
never fulfills the genuine aesthetics.


KAZUFUMI
2022






Diaf
Daegu International Art Fair
25-27 November 2022 | EXCO
Booth D31 | Edel#Art

KAZUFUMI will participate in the fair with Gallery Edel.






 

WORKS
 | BIOGRAPHY | MAIL


 





14 June 2022









Volatile Veneer

1|2|3
4|5|6
227*158 mm, 2022
acrylic on canvas












Leaving the City IV

530*455mm, 2022
acrylic on canvas












Leaving the City V
530*455mm, 2022
acrylic on canvas









Under the continuous white light,
spurious relief has stained crowds;
As mourners in grief gathered at night,
it began raining from black clouds.

KAZUFUMI
2022








Art Santa Fe
15-17 July, 2022 | Santa Fe Convention Center

KAZUFUMI will participate in the fair with Gallery Edel.






 

WORKS
 | BIOGRAPHY | MAIL


 





9 April 2022



[WAR CRIMINALS] GO STRAIGHT TO HELL — SERGIY KYSLYTSYA













HARMONICS 2022
727*606 mm, 2022
acrylic on canvas














The Squeaking Sun
727*606mm, 2022
acrylic on canvas













Entrenched
910*1167 mm, 2022
acrylic on canvas






With recollecting the good old shadows,
people build their sober inns once again;
Without any echo answering to my calls,
this vigorous river keeps flowing down.

KAZUFUMI
2022








ART BUSAN
13-15 May, 2022 |Bexco Busan Korea

KAZUFUMI will participate in the fair with Gallery Edel.





 

WORKS
 | BIOGRAPHY | MAIL


 




22 October 2021










Norms for Sentiments

1|2|3
4|5|6
7|8|9
227*158 mm, 2021
acrylic on canvas

 





Seeing a new day given in the sheer silence of dawn;
Another etude for utopia drawn with its rays and shadows;
Days passed away have calmly graven the norms for sentiments.


KAZUFUMI
2021





DAEGU ART FAIR 21
5-7 November 2021 | EXCO
KAZUFUMI will participate in the fair with Gallery Edel.






 

WORKS
 | BIOGRAPHY | MAIL


 




4 October 2021










Leaving the City III

530*455mm, 2021
acrylic on canvas












Zeitgeber #2

1|2
3|4 
227*158 mm, 2021
acrylic on canvas







DAEGU ART FAIR 21
5-7 November 2021 | EXCO
KAZUFUMI will participate in the fair with Gallery Edel.








 

WORKS
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11 September 2021













Leaving the City I

530*455mm, 2021
acrylic on canvas











Leaving the City II

530*455mm, 2021
acrylic on canvas









Mäuseturm
1|2|3
4|5|6
227*158 mm, 2021
acrylic on canvas

 

 

 

 

Mäuseturm | the Mouse Tower

The old German tale Mäuseturm shows us mice could be wise enough to solve our problem;
Tokyo's silly mice keep devouring themselves without knowing what they should bite off.

KAZUFUMI
2021






Artexpo New York
28-31 October 2021 | Pier 36 NYC
KAZUFUMI will participate in the fair with Gallery Edel.






 

WORKS
 | BIOGRAPHY | MAIL


 






20 April 2021











alone among virtues

530*455mm, 2021
acrylic on canvas













Zeitgeber #1

1|2
3|4 
227*158 mm, 2021
acrylic on canvas





Onkalostinato

The brains of false saviours melted down,
radiating their putrid smells of evil.
Decaying every aspect of humanity,
the drainage is cast over our sea of conscience.
Their sins might be hidden in the depth;
the contamination cannot be nulled.

|||
KAZUFUMI
2021




ART BUSAN
14-16 May, 2021 | Bexco Busan Korea




KAZUFUMI will participate in the fair with Gallery Edel.





 

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14 March 2021











Onkalostinato #3
1|2|3
4|5|6
227*158 mm, 2021
acrylic on canvas




Sudden silence invites the three-finger rustling in.
Her saung gently sings weaving a gust for liberation.
Tears turn into fires lighting the land up once again.

|||

KAZUFUMI
2021






Busan Annual Market of Art 2021
8-11 April, 2021 | BEXCO Exhibition Center




KAZUFUMI will participate in the fair with Gallery Edel.







WORKS
| BIOGRAPHY | MAIL









13 November 2020




















Turning a Furrow #4
530*455mm, 2020
acrylic and mixed media on canvas


















Onkalostinato #2

1|2|3
4|5|6
227*158 mm, 2020
acrylic on canvas










Putrid clans pleasantly spit at the others,
damaging any survived humanity;
the isolated crowds voluntarily put themselves
in the sea of dirty norms.
Colors cannot recall their original magnificence
unless our sanity realizes soberer dawns.


KAZUFUMI
2020











DAEGU ART FAIR | Nov 12-15
KAZUFUMI will participate in the fair with Gallery Edel.








WORKS
| BIOGRAPHY | MAIL









13 October 2020














Turning a Furrow #2
530*455mm, 2020
acrylic on canvas
















Turning a Furrow #3
530*455mm, 2020
acrylic & mixed media on wood













Onkalostinato #1
1|2|3
4|5|6
227*158 mm, 2020
acrylic on canvas






Stars lastingly shine; Earth sadly sobs.
Distilling fires of reason from bitter tears,
the history of conscience weaves herself as always.
Our march must go on with sophisticated perseverance
until a new dawn dispels the pervaded darkness.

KAZUFUMI
2020







ART BUSAN | November 5-8
BEXCO Exhibition Center 2, Busan
KAZUFUMI will participate in the fair with Gallery Edel.










WORKS
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24 September 2020

 










Turning a Furrow #1
530*455mm 2020, acrylic on canvas










Berths of the good have been contaminated with follies and injustice.
Enclaves compose novel anthems to retain their proud Gloria Patri.
Riding roughshod over the miserable has become far more common.
Neither have they given up the ship nor quit organizing dreamers’ choir.
Immunity against repetitive deceits has been nulling any rationale.
Embattled history navigates bravely renewed wisdom inside her womb.


Learning his wrinkles,
KAZUFUMI
2020







WORKS
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2 April, 2020












Marwarid
910*1,167mm, 2020
acrylic on canvas




















Learning his Wrinkles #11 |#12
530*455mm, 2020
acrylic on canvas













Take the Root VI #1-#6
227*158 mm, 2020
acrylic on canvas
1|2|3
4|5|6









Rustling softly across the desert
notes of hope were suddenly halted.

Sheep reflected themselves on vacant smooth surfaces
only to confirm their helplessness
with hardly recollecting the history harmonious.

No artifice compensates the tears and blood of the good.
Funeral bells resounding through the earth;
all the gentle melodies now buried in the sand.

KAZUFUMI
2020







Exhibited at SCOPE NEW YORK
March 5-8, 2020 | Metropolitan Pavilion
125 West 18th Street, New York, NY 10011
Dealer: Gallery Edel










WORKS
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4 December, 2019

 

 

 








 



Learning his Wrinkles #9 |#10
530*455mm, acrylic on canvas, 2019


 

 

 





Take the Root  V
227*158 mm, acrylic on canvas, 2019
1|2|3
4|5|6

 

 


Suffocating darkness reveals the unsavory reality of any false messiah.
Lawbreakers ascend the thrones only to ruin their eminence.
Levies on the miserable make streets more dismal.
Evil-eyed crowds sneer each other while the society turns antisocial.
Bells thus loudly resounding, sheep are still marching toward their abyss.

 

KAZUFUMI
2019



Exhibited at RED DOT MIAMI
4-8 December, 2019
Mana Wynwood, FL
Dealer: Gallery Edel








WORKS
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10 November 2019




 








 

 

Learning his Wrinkles #7 |#8
530*455mm, acrylic on wood panel[#7]| on canvas[#8], 2019

 

 







Take the Root IV
227*158 mm, acrylic on canvas, 2019
1|2|3
4|5|6

 

 

 

 

Numerous teardrops of distorted cities pour into subterranean streams.
Fragmented elegies of the miserable appositely phase our developing revolution.
Any passage contains some unstable half tones;
nevertheless they alone can define the most preferable resolution
—as if every turn of the seasons abruptly realized the fascinating harmonics.

KAZUFUMI
2019

 



Exhibited at Art San Diego
October 10-13, 2019
Booth 507, San Diego Convention Center
Dealer: Gallery Edel







WORKS
| BIOGRAPHY | MAIL









26 September 2019

 



 







 

 

Learning his Wrinkles #5|#6
530*455mm, acrylic on canvas, 2019

 

 

 

 

 

 

 

Take the Root III
227*158 mm, acrylic on canvas, 2019
1|2|3
4|5|6

 

 

 

Exhibited at KIAF ART SEOUL 2019
Sept 26-29, 2019
COEX 1F, Hall A & B, Seoul
Dealer: Gallery Edel




***

I reconfirm the penetrative notes of dawn for the 74th August in the following:

Chapter II: Renunciation of War
Article 9
Aspiring sincerely to an international peace based on justice and order,
the Japanese people forever renounce war as a sovereign right of the nation
and the threat or use of force as means of settling international disputes.
In order to accomplish the aim of the preceding paragraph,
land, sea, and air forces, as well as other war potential, will never be maintained.
The right of belligerency of the state will not be recognized.

Japan's Constitution of 1946
1947-Present

***

Every September brings to my mind the despicable crime by Japanese after the Kanto earthquake:
Massacre of Koreans in 1923.

***

I deeply appreciate friends in South Korea
for the strong protest calls against the worst government of postwar Japan led by Abe,
a good-for-nothing, a shabby totalitarian, or a notorious liar
while media in Japan have been deteriorating into its disgusting flatterers.
Please let me stand by you.

KAZUFUMI
2019








WORKS
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18 July 2019



 

 







 

 

Learning his Wrinkles #3|#4
530*455mm, acrylic on canvas, 2019

 

 







Take the Root  II
227*158 mm, acrylic on canvas, 2019
1|2|3
4|5|6

 

 

 

Evil creeds necessarily drown excellent sheep;
Iconic vanity despoils ivy leaves of their once hopeful greens.
Never knowing when the hell fire would calm,
Realm dwellers have still been cultivating uncharted terrains.
Empyrean quietly opens its covert door
bestowing another leaf of our harmonic atlas.

 

 

Exhibited at Art Santa Fe
July 18-21, 2019
Santa Fe Convention Center
Dealer: Gallery Edel








WORKS
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May 8, 2019

 

 

 

 


 

 


 

 

Learning his Wrinkles #1 | #2
530*455mm, acrylic on canvas, 2019

 

 

 

 

 

Take the Root
227*158 mm, acrylic on canvas, 2019
1|2|3
4|5|6

 

 

 

Brave aspects of our wisdom invigorate themselves;
Eliminating any false messiah time and again;
Refusing demagogy with the highest discretion;
Never buried in the noise of hostile attitudes.
Iconoclasm has reasonably been making its progress;
Empires would fall, only to confess their shabby origin.

with hope,
KAZUFUMI
2019

 




Exhibited at ART BUSAN
May 31- June 2, 2019
BEXCO South Korea
Dealer: Gallery Edel








WORKS
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March 27, 2019.


 


 

 

 

Luthier's Corner III
(of 4-piece set)
530*455mm, acrylic on canvas, 2019


 

 

 

 

 

Reminiscent Vein
#1-#9, 227*158 mm, acrylic on canvas
2019

1|2|3
4|5|6
7|8|9

 

 

Reminiscent Veins filled with indignation will anyhow build Victorious Resistance: Revolution.



Exhibited at
ART TAINAN, March 15-17, Taiwan
Artexpo New York, April 4-7, USA
BAMA , April 26-29, South Korea
Dealer: Gallery Edel

 




WORKS
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