Untitled Document

KAZUFUMI OFFICIAL WEBSITE | 11 June 2020

Turning a Furrow #1
530*455mm 2020, acrylic on canvas

Berths of the good have been contaminated with follies and injustice.
Enclaves compose novel anthems to retain their proud Gloria Patri.
Riding roughshod over the miserable has become far more common.
Neither have they given up the ship nor quit organizing dreamers’ choir.
Immunity against repetitive deceits has been nulling any rationale.
Embattled history navigates bravely renewed wisdom inside her womb.

Learning his wrinkles,
KAZUFUMI
2020

WORKS | BIOGRAPHY | MAIL

2 April, 2020

Marwarid
910*1,167mm, 2020
acrylic on canvas

Learning his Wrinkles #11 |#12
530*455mm, 2020
acrylic on canvas

Take the Root VI #1-#6
227*158 mm, 2020
acrylic on canvas
1|2|3
4|5|6

Rustling softly across the desert
notes of hope were suddenly halted.

Sheep reflected themselves on vacant smooth surfaces
only to confirm their helplessness
with hardly recollecting the history harmonious.

No artifice compensates the tears and blood of the good.
Funeral bells resounding through the earth;
all the gentle melodies now buried in the sand.

KAZUFUMI
2020

Exhibited at SCOPE NEW YORK
March 5-8, 2020 | Metropolitan Pavilion
125 West 18th Street, New York, NY 10011
Dealer: Gallery Edel

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4 December, 2019

Learning his Wrinkles #9 |#10
530*455mm, acrylic on canvas, 2019

Take the Root V
227*158 mm, acrylic on canvas, 2019
1|2|3
4|5|6

Suffocating darkness reveals the unsavory reality of any false messiah.
Lawbreakers ascend the thrones only to ruin their eminence.
Levies on the miserable make streets more dismal.
Evil-eyed crowds sneer each other while the society turns antisocial.
Bells thus loudly resounding, sheep are still marching toward their abyss.

KAZUFUMI
2019

Exhibited at RED DOT MIAMI
4-8 December, 2019
Mana Wynwood, FL
Dealer: Gallery Edel

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10 November 2019

Learning his Wrinkles #7 |#8
530*455mm, acrylic on wood panel[#7]| on canvas[#8], 2019

Take the Root IV
227*158 mm, acrylic on canvas, 2019
1|2|3
4|5|6

Numerous teardrops of distorted cities pour into subterranean streams.
Fragmented elegies of the miserable appositely phase our developing revolution.
Any passage contains some unstable half tones;
nevertheless they alone can define the most preferable resolution
—as if every turn of the seasons abruptly realized the fascinating harmonics.

KAZUFUMI
2019

Exhibited at Art San Diego
October 10-13, 2019
Booth 507, San Diego Convention Center
Dealer: Gallery Edel

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26 September 2019

Learning his Wrinkles #5|#6
530*455mm, acrylic on canvas, 2019

Take the Root III
227*158 mm, acrylic on canvas, 2019
1|2|3
4|5|6

Exhibited at KIAF ART SEOUL 2019
Sept 26-29, 2019
COEX 1F, Hall A & B, Seoul
Dealer: Gallery Edel

***

I reconfirm the penetrative notes of dawn for the 74th August in the following:

Chapter II: Renunciation of War
Article 9
Aspiring sincerely to an international peace based on justice and order,
the Japanese people forever renounce war as a sovereign right of the nation
and the threat or use of force as means of settling international disputes.
In order to accomplish the aim of the preceding paragraph,
land, sea, and air forces, as well as other war potential, will never be maintained.
The right of belligerency of the state will not be recognized.

Japan's Constitution of 1946
1947-Present

***

Every September brings to my mind the despicable crime by Japanese after the Kanto earthquake:
Massacre of Koreans in 1923.

***

I deeply appreciate friends in South Korea
for the strong protest calls against the worst government of postwar Japan led by Abe,
a good-for-nothing, a shabby totalitarian, or a notorious liar
while media in Japan have been deteriorating into its disgusting flatterers.
Please let me stand by you.

KAZUFUMI
2019

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18 July 2019

Learning his Wrinkles #3|#4
530*455mm, acrylic on canvas, 2019

Take the Root II
227*158 mm, acrylic on canvas, 2019
1|2|3
4|5|6

Evil creeds necessarily drown excellent sheep;
Iconic vanity despoils ivy leaves of their once hopeful greens.
Never knowing when the hell fire would calm,
Realm dwellers have still been cultivating uncharted terrains.
Empyrean quietly opens its covert door
bestowing another leaf of our harmonic atlas.

Exhibited at Art Santa Fe
July 18-21, 2019
Santa Fe Convention Center
Dealer: Gallery Edel

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May 8, 2019

Learning his Wrinkles #1 | #2
530*455mm, acrylic on canvas, 2019

Take the Root
227*158 mm, acrylic on canvas, 2019
1|2|3
4|5|6

Brave aspects of our wisdom invigorate themselves;
Eliminating any false messiah time and again;
Refusing demagogy with the highest discretion;
Never buried in the noise of hostile attitudes.
Iconoclasm has reasonably been making its progress;
Empires would fall, only to confess their shabby origin.

with hope,
KAZUFUMI
2019

Exhibited at ART BUSAN
May 31- June 2, 2019
BEXCO South Korea
Dealer: Gallery Edel

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March 27, 2019.

Luthier's Corner III
(of 4-piece set)
530*455mm, acrylic on canvas, 2019

Reminiscent Vein
#1-#9, 227*158 mm, acrylic on canvas
2019

1|2|3
4|5|6
7|8|9

Reminiscent Veins filled with indignation will anyhow build Victorious Resistance: Revolution.

Exhibited at
ART TAINAN, March 15-17, Taiwan
Artexpo New York, April 4-7, USA
BAMA , April 26-29, South Korea
Dealer: Gallery Edel